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Photography Against the Grain: Essays and Photo Works, 1973–1983
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Photography Against the Grain: Essays and Photo Works, 1973–1983

Photography Against the Grain: Essays and Photo Works, 1973–1983

$17.50

Original: $50.00

-65%
Photography Against the Grain: Essays and Photo Works, 1973–1983

$50.00

$17.50

The Story

Long out of print, this seminal collection of essays and photographs by artist, theorist, and filmmaker Allan Sekula was originally published by the Nova Scotia College of Art and Design in 1984. Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider’s position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities, and the institutional structures that reinforce cultural biases.

Allan Sekula (1951–2013) was an American artist, whose work spans multiple media: long form photographic series (Aerospace Folktales, 1973; School as a Factory,1980; War Without Bodies, 1991/96), critical texts (The Body and the Archive, 1986 and Debating Occupy, 2012) and film (The Forgotten Space, 2012).

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 5

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 6

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 7

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 8

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 9

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 10

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 11

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 12

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 13

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 14

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 15

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 16

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 17

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 18

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 19

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 20

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 21

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 22

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 23

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 24

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 25

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Photography Against the Grain: Essays and Photo Works, 1973–1983 - Image 26

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

Long out of print, this seminal collection of essays and photographs by artist, theorist, and filmmaker Allan Sekula was originally published by the Nova Scotia College of Art and Design in 1984. Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider’s position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities, and the institutional structures that reinforce cultural biases.

Allan Sekula (1951–2013) was an American artist, whose work spans multiple media: long form photographic series (Aerospace Folktales, 1973; School as a Factory,1980; War Without Bodies, 1991/96), critical texts (The Body and the Archive, 1986 and Debating Occupy, 2012) and film (The Forgotten Space, 2012).